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SCULPTURE
The artist has worked in convential as well as unconventional materials – from bronze, fibreglass and ceramics to fabric, paper pulp and rubber.
‘The Skin Remembers’ are 30 soft sculptures that were made after interviewing people with scars. The reasons ranged from vanity to tragedy; survival to heroism.
“Roots & Wings”
88 x 86 x 44 inches, Brass, 2014
“Torso QED”, 34 x 19 x 12 inches, Fibreglass with marble finish
From the “Decorated Objects” series, Ceramic and embelishments, Sizes variable
“She-Shroud’, 72 x 28 x 16 inches, Fibreglass and Resin
“Droop”, Dried Gourds and paper pulp, 48 inches x 18 inches, size variable
Made in Art Ichol, Maihar in a curated residency titled ‘Migration’. The work was inspired by the aluminium trunks available in the small town market of Maihar. These are still a potent symbol of travel, precious storage and secret possessions in India.
“Belonging/Belongings”, Aluminium trunks, enamel and epoxy resin, 2018
Untitled, Glass milk bottle and epoxy resin, 11 x 4 inches, 2009
The tea and news we consume in the morning shows up the gross inequalities in society – this particular image in the papers was of people scrambling for relief supplies after the Bihar Floods in 2008. Bronze (with patina), newspaper, wooden tray 7 x 6 inches (cup), variable with added elements, 2008
“Farishta”, 144 x 72 x 36 inches, stainless steel, 2009
“Eff”, 156 x 60 x 20 inches, Mild steel, 2010
“Nobody Fighting For Nothing”, 53” X 28”, Stainless steel and Resin, 2010
Made in response to a curatorial call for “Chair”, this chair speaks of the call of divine power that makes pilgrims take difficult pilgrimages and the physical power that the carriers need to haul the pilgrim.
“Pilgrim’s Chair”, 94 x 39 x 22 inches, wooden chair, fibre glass, fabric and copper; 2010
Nameless Faceless Portraits
A series of ‘portraits’ in , mixed media, variable sizes of workers and vendors who have been around for years in Connaught Place, Delhi.
The ‘Adapt, Grow, Survive’ series are lessons from nature. Made with Lava rocks, tree barks and fabric, these began with observing the moss and lichen while in residence in Iceland.
Variable sizes, stone, wood and fabric
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